More tracks of this nature are being recorded and released. A newer variation of the techno-qawwali based on the more dance oriented tracks is known as the "club qawwali". An example of techno-qawwali is Kajra Re, a filmi song composed by Shankar Ehsaan Loy. Within the subgenre of filmi qawwali, there exists a form of qawwali that is infused with modern and Western instruments, usually with techno beats, called techno-qawwali. One example of filmi qawwali is the song Pardah Hai Pardah sung by Mohammed Rafi, and composed by Laxmikant–Pyarelal in Indian film Amar Akbar Anthony (1977). It represents a distinct subgenre of film music, although it usually bears little resemblance to traditional qawwali, which is the devotional music of the Sufis. Bengali: ফিল্মি কাওয়ালি, Hindi: फ़िल्मी क़व्वाली) is a form of qawwali music found in the Lollywood, Dhallywood, Tollywood, and Bollywood film industries.
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